iVenceremos?: The Erotics of Black Self-making in Cuba by Jafari S. Allen

By Jafari S. Allen

Promoting the progressive socialist venture of equality and dignity for all, the slogan ¡Venceremos! (We shall overcome!) seems to be all through Cuba, in all places from newspapers to varsity work of art to nightclubs. but the accomplishments of the Cuban country are belied via the marginalization of blacks, the bias opposed to sexual minorities, and gender inequities. ¡Venceremos? is a groundbreaking ethnography on race, hope, and belonging between blacks in early-twenty-first-century Cuba, because the country opens its economic climate to worldwide capital. increasing on Audre Lorde’s imaginative and prescient of embodied, even “useful,” hope, Jafari S. Allen indicates how black Cubans have interaction in acts of “erotic self-making,” reinterpreting, transgressing, and in all likelihood remodeling racialized and sexualized interpellations in their identities. He illuminates intimate areas of autonomy created through humans whose multiply subaltern identities have rendered them illegible to country functionaries, and to such a lot students. In daily practices in Havana and Santiago de Cuba—including Santeria rituals, homosexual men’s events, hip hop concert events, the tourist-oriented intercourse exchange, lesbian organizing, HIV schooling, and simply putting out—Allen highlights small yet major acts of fight for autonomy and dignity.

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Extra resources for iVenceremos?: The Erotics of Black Self-making in Cuba

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The Catholic is the girl that you love so much that she can lie to you, and the Protestant is the girl that loves you so much that you can lie to her, and pretend a lot that you do not feel. Luther, and I hope you don’t mind my saying so, was as bawdy an old ram as ever trampled his own straw, because the custody of the people’s ‘remissions’ of sins and indulgences had been snatched out of his hands, which was in that day in the shape of half of all they had and which the old monk of Wittenberg had intended to get off with in his own way.

That’s how alive is the language of this text. Robin, Nora, Jenny. Robin’s brief and disastrous marriage to Baron Felix, Felix’s own story of inferiority and loss, the underworld life of Paris, all are seen through the glittering eyes of a creature half leprechaun, half angel, half freak, half savant, half man, half woman, the “doctor,” Matthew-Mighty-grain-of-salt-Dante-O’Connor. It is the doctor who first finds Robin Vote drowned in drink. ’” It is the doctor who talks his way through life as though words were a needle and thread that could mend it.

This is a work of creative imagination, not a philosophical treatise. As I said at the beginning, I am conscious of impertinence in introducing the book at all; and to have read a book a good many times does not necessarily put one in the right knowledge of what to say to those who have not yet read it. What I would leave the reader prepared to find is the great achievement of a style, the beauty of phrasing, the brilliance of wit and characterisation, and a quality of horror and doom very nearly related to that of Elizabethan tragedy.

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