By Graham Thompson
Male Sexuality less than Surveillance is a full of life, clever, and expertly argued research of the development of male sexuality within the company workplace. Graham Thompson interweaves 3 major threads: a historicized cultural research of the improvement of the fashionable company workplace from its beginnings within the early 19th century to the current day, a Foucauldian dialogue of the workplace because the web site of assorted disciplinary practices, and a queer-theoretical dialogue of the textualization of the homosexual male physique as a tool for generating a taxonomy of male-male family. the combo of those subject matters produces a research that's clean, insightful, and provocative. in addition, this interesting research at the same time offers readings of basic texts—ranging from 1853 to 1995—that give a contribution considerably to scholarship on those works whereas advancing and deepening the theoretical discussions from which Male Sexuality below Surveillance derives its premises. Thompson has divided his research into 3 sections. half 1 examines the bounds of male friendship in Herman Melville's “Bartleby, the Scrivener,” William Dean Howells's the increase of Silas Lapham, and Sinclair Lewis's Babbitt. half 2 examines the impression of corporatization and the feminization of paperwork upon directly male sexuality among global warfare II and the Seventies, utilizing Sloan Wilson's the guy within the grey Flannel swimsuit, Don DeLillo's Americana, and Joseph Heller's whatever occurred. half three exhibits how the intercourse and gender anxiousness obtrusive in directly male responses to the postwar workplace international is changed through a unique feel of the way identification should be built on the subject of paintings in Nicholson Baker's The Mezzanine and The Fermata and Douglas Coupland's Microserfs. Given its finished scope, Male Sexuality below Surveillance might be of curiosity not just to Americanists in most cases but additionally to students drawn to gender experiences and homosexual and lesbian reports. additionally, due to its concentrate on the results of fixing monetary buildings on fabric tradition and social association, students drawn to materialist techniques to literature will locate the e-book in?nitely useful.
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Extra info for Male Sexuality under Surveillance: The Office in American Literature
Sample text
The lawyer-narrator is reviewing in his narrative not this strange character Bartleby, but himself. Bartleby is the location upon which the lawyer-narrator is written or unwritten. The lawyer-narrator and Bartleby, while constituted in the narrative as two separate characters, are actually a palimpsest of American male sexual identity in the middle of the nineteenth century. This means that the lawyer-narrator’s question is not an attempt to understand Bartleby and therefore humanity, but an attempt to understand what it means to be a man in the public world of work of New York.
6 This is the richly textured opening chapter of the novel, where Lapham is visited at his office by Bartley Hubbard,7 a journalist from the local newspaper. Hubbard is interviewing Lapham for the “Solid Men of Boston” series. Like the lawyer-narrator in “Bartleby,” Lapham immediately shows himself to be an efficient doorkeeper. Through his open office door he beckons Hubbard into his inner sanctum, finishes writing a letter, and then calls in one of his staff to make sure that the letter gets delivered.
Persis would seem to be the perfect subject for a “Solid Women of Boston” series, if such a series could have been conceived of in the aristocratic eastern city of the time. And if these muscular qualities apply to women, then for Lapham they should certainly apply to men. Wondering why Bromfield Corey Business of Sexuality in The Rise of Silas Lapham : 29 supports his son Tom so beneficently, Lapham argues that he likes “to see a man act like a man. I don’t like to see him taken care of like a young lady” (59).