By Thomas K. Hubbard
The fabric is equipped via interval and via style, permitting readers to think about chronological advancements in either Greece and Rome. person texts every one are awarded with a quick creation contextualizing them via date and, the place worthwhile, discussing their position inside a bigger paintings. bankruptcy introductions speak about questions of style and the ideological value of the texts, whereas Hubbard's basic advent to the amount addresses concerns corresponding to sexual orientation in antiquity, ethical judgments, type and beliefs, and lesbianism. With its vast, unexpurgated, and punctiliously proficient presentation, this precise anthology provides a necessary viewpoint on homosexuality in classical antiquity.
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Extra info for Homosexuality in Greece and Rome : a sourcebook of basic documents
Example text
For a review of the limited evidence we have about the role of slaves in classical Greek homosexuality, see Golden (1984). 14 introduction gifts and attention. 8), a favorite slave hopes to obtain freedom as a result of his relationship with his master. 3) that sexual submission was a “necessity” for a slave and a “duty” for a freedman implies that many freedmen attained their status precisely through submitting to their master’s attentions. 75–76), to the extent that he could manipulate his master into not only freeing him, but even making him the principal heir of a vast estate.
Two lines are missing) And . . Aphrodite . . poured nectar from A golden . . . with her hands Persuasion . . 19 Sappho, fragment 105(b) V Herdsmen crush under their feet A hyacinth in the mountains; on the ground Purple blooms . 20 Sappho, fragment 107 V Do I still desire virginity? — 27. The image may be a metaphor for an untouched virgin. 28. Some see the image as one of virginity violated. archaic greek lyric 35 You carpenter men. 22 Sappho, fragment 112 V Happy bridegroom, the marriage that you prayed for Has been fulfilled—you have the girl you prayed for.
87, a choral ode for Hieron, the ruler of Syracuse, which narrates the myth of Poseidon’s love for the boy Pelops. The myth clearly exhibits an initiatory structure and significance: the boy’s pederastic interlude with Poseidon is presented as enabling his later marriage to Hippodameia, and proves to be the critical transition between his childhood in Lydia and his claim to adult stature as a superior athletic competitor who can vanquish Hippodameia’s cruel and tyrannical father. 86). 29), but Anacreon’s Cleobulus or Ibycus’ Euryalus 24 archaic greek lyric could also very well be slaves.