By Neil Gaiman
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Additional resources for The Sandman #18 Dream Country P2: A Dream of A Thousand Cats
Example text
In this confusion of tongues, the same term, “genetic text,” is employed by McGann to denote a text “which mirrors the actual process of authorial composition” (“Ulysses as a Postmodern Text” 289). According to Tanselle, however, A distinction should be made between a “genetic” text and the kind of “synoptic” text that Gabler is recommending. A genetic text aims to show the development of the text or texts present in a single document by providing a running text that indicates cancellations, interlineations, and other alterations.
As chapter 4 elaborates, the controversies may be compared to the medieval debates concerning universals. The most consistent nominalists are probably the French genetic critics, as may be illustrated by means of Almuth Grésillon’s definition of a genetic edition. The continuous manuscript text such as the one suggested by Gabler presents the developmental and transmissional variation as pure succession. Whenever Joyce made a redraft or a new version, he rewrote the whole text, covering and subsuming the previous version.
Nevertheless, Gabler’s focus on Joyce’s private act of writing leaves out the collaborative aspects of the production process and does take authorial intentions into account. Any variant reading caused by a nonauthorial or collaborative act of transmission is excluded on principle. 3 An important stage in this production process was the ‹rst edition, which is why “The 1922 Text” was published in paperback in 1993. This edition presents the reader—as Fritz Senn formulates it in his review— with “those words and phrases, misprints and all, that set the literary world astir” (461).