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22:7–8). From Abraham’s evasive reply, “God will see to the sheep for His burnt offering, my son,” Isaac must surely have sensed the truth. Although the Aqedah was the climactic event in the tales of Abraham, who demonstrated his willingness to obey God even when God contra- dicted himself (see Rashi to Gen. 22:12), the fact that “the two of them walked on together” (22:8; cf. 22:6), and that Isaac fell completely silent, must be taken as an implication of the lad’s surrender to God’s purposes.
The Akedah theme inspired a drama in the Aztec language of Mexico (1678), which was later translated into Spanish; and two Italian plays of the 18th century, Pietro van Ghelen’s Isacco, figura del Redentore (Vienna, 1740) and Isacco al monte (Padoya, 1766), a sacra rappresentazione in verse by Ferdinando degli Obizzi. In other works dating from the Middle Ages onward the Sacrifice of Isaac is incidental or omitted. The 12th-century Ordo de Ysaac et Rebecca et Filiis Eorum makes Esau the representative of “pharisaical Judaism” and Jacob the spokesman of Christianity.
Yoḥ ai (Gen. R. 35:16), and engaged in dispute with Judah ha-Nasi and others (Ber. 48b, Git. ). , Jethro, 7). He also engaged in mystical studies (Ḥ ag. 13a). ISAAC, Jewish merchant of Aachen, the first Jew in Germany to be mentioned by name. In 797 he was appointed by Charlemagne as guide and interpreter to an official delegation to Harun al-Rashid, entrusted with a delicate and important mission. Charlemagne’s ambassadors died on the way and Isaac completed the journey and was received in audience when he returned four years later.