Dialogic Confession: Bonhoeffer's Rhetoric of Responsibility by Ronald C. Arnett

By Ronald C. Arnett

During this landmark quantity of up to date verbal exchange conception, Ronald C. Arnett applies the metaphor of dialogic confession—which allows old moments to be addressed from a confessed viewpoint and during a communicative lens—to the works of German theologian Dietrich Bonhoeffer, who pointed to an period of postmodern distinction together with his inspiration of "a international come of age." Arnett’s interpretations of Bonhoeffer’s existence and scholarship in competition with Nazi dominance provide implications for a dialogic confession that engages the complexity of postmodern narrative contention.Rooted in classical thought, the sphere of verbal exchange ethics is summary and arguably superseded. In Dialogic Confession: Bonhoeffer’s Rhetoric of accountability, Arnett locates cross-cultural and comparative anchors that not just carry legitimacy and relevance to the sector but additionally enhance a conceptual framework that may boost and encourage destiny scholarship.

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Additional resources for Dialogic Confession: Bonhoeffer's Rhetoric of Responsibility

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A heavy incubus of difficult traditional ideas. The decisive factor: the church on the defensive. No taking risk for others. (Letters and Papers from Prison ) Bonhoeffer works with a Christocentric framework that embraces an Old Testament warning—to be cautious of any revelation that claims to see clearly the face of God. Revelation points without complete assurance of interpretive accuracy. ” Dialogic confession includes not only a Christocentric focus of attention, but an awareness of the danger and the limits of claiming clarity in communication with God.

And a little later: “Many right-minded people of our class have acquired the habit of smiling about these petty tyrants and of regarding as fools those who have declared total war on them. ” (–) Bonhoeffer took the story of the faith within a call to costly grace and discipleship into the historical situation before him, engaging the banality of evil in everyday life. Bonhoeffer questioned and countered the lure of destructive stories that avoid meeting the historical moment. Like Viktor Frankl, a holocaust survivor, stated, our final freedom is the attitude we take as we meet the inevitable (Man’s Search for Meaning –).

What is possible is to offer a story that guides. Bonhoeffer functioned like a prophet of the Old Testament, not giving the answer but pointing the way “home,” back to God, telling a story about the faith. “The poet in exile sings his people to homecoming” (Brueggemann ). The poet, as storyteller, connects a given story to the historical demands of a given moment; otherwise, one cannot understand revelation that assists a people. A poetic story of the faith offers guidelines for behavior responsive to given situated and concrete demands.

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