Brian May: Vocal guitar tablature version (Super rock by Brian May

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1993) Memory: Phenomena, Experiment and Theory (Oxford: Blackwell). , Dario Paez and Bernard Rimé (eds) (1997) Collective Memory of Political Events: Social Psychological Perspectives (Mahwah: Erlbaum). Rose, Steven (1992) The Making of Memory: From Molecules to Mind (London: Bantam Books). Schutz, Alfred (1962) Collected Papers 1 (The Hague: Matinus Nijhoff). Shandler, Jeffrey (1999) While America Watches: Televising the Holocaust (New York: Oxford University Press). Sturken, Marita (2007) Tourists of History: Memory, Kitsch, and Consumerism from Oklahoma City to Ground Zero (Durham: Duke University Press).

However, digital media introduce different equations of ephemera into our remembering processes and capacities as well as new means to preserve, restore and represent the past. Indeed, digital memory technologies also effect what Bowker (2005/08) calls ‘inaugural acts’ where the old is overwritten by the new. The mediatisation of memory is thus the ongoing negotiation of the self through, and interplay with, the emergent technologies of the day to shape a past that is ‘always already new’. It is important to differentiate two ‘phases’ of mediatisation (cf.

Doss, Erika (2008) ‘War, memory, and the public mediation of affect: The National World War II Memorial and American imperialism’, Memory Studies, 1: 2, 227–50. Ernest G. Schachtel (1947) ‘On Memory and Childhood Amnesia’, in Neisser, Ulric and Hyman, Ira E. (eds) (2000) Memory Observed: Remembering in Natural Contexts (Second Edition), pp. 298–308. Ferrarotti, Franco (1990) Time, Memory, and Society (Westport: Greenwood Press). Finkenauer, Catrin, Luminet, Olivier, Gisle Lydia, El-Ahmadi, Abdessadek, Vanderlinden, Martial, and Philippot, Pierre (1998) ‘Flashbulb memories and the underlying mechanisms of their formation: Toward an emotional-integrative model’, Memory and Cognition, 26, 516–31.

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