By Laurie J. Shrage
Is intercourse id a characteristic of one's brain or physique, and is it a relational or intrinsic estate? who's within the top place to understand a person's intercourse, can we each one have a real intercourse, and is a person's intercourse an alterable attribute? whilst a person's intercourse project alterations, has the previous self disappeared and a brand new one emerged; or, has basically the general public presentation of one's self replaced? "You've replaced" examines the philosophical questions raised through the phenomenon of intercourse reassignment, and brings jointly the essays of students recognized for his or her paintings in gender, sexuality, queer, and incapacity reviews, feminist epistemology and technological know-how experiences, and philosophical money owed of private id. An interdisciplinary contribution to the rising box of transgender experiences, it will likely be of curiosity to scholars and students in a couple of disciplines.
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Extra info for You've Changed: Sex Reassignment and Personal Identity (Studies in Feminist Philosophy)
Example text
Ought not the same conditions apply to our understanding of women? Can individuals not possess different understandings of a particular context? If some of us understand women as those who relate serially to some of Young’s practico-inert realities, cannot others understand them in different ways? To recognize the possiblilty of different, legitimate interpretations of a novel is not to claim that all interpretations are legitimate. Take Claudia L. ”27 It is not clear that this interpretation allows us to make sense out of the unhappy fate Austen bestows on the Crawfords, in contrast to the one she bestows on the heroine of Northanger Abbey.
Our understanding of texts and performances is a process of understanding the whole in terms of the part and the part in terms of the whole. If we can plausibly understand the play, Hamlet as a play about disillusionment, we can do so because this theme allows us to tie the different parts of the text together in a coherent way. Similarly, to the extent that it is possible to 34 “YOU’VE CHANGED” understand the play as a play about the interpretation of signs and evidence, it is possible because we can bring its parts together under this rubric.
The Second Sex. New York: Bantam. Bettcher, Talia Mae. 2006. ” In Trans/Forming Feminisms: Trans-Feminist Voices Speak Out, edited by Krista Scott-Dixon. Toronto: Sumach Press, pp. 203–10. Bornstein, Kate. 1994. Gender Outlaw: On Men, Women, and the Rest of Us. New York: Routledge. Carter, Lesley. 2006. ” In Trans/Forming Feminisms: Trans-Feminist Voices Speak Out, edited by Krista Scott-Dixon. Toronto: Sumach Press, pp. 53–57. Faderman, Lillian. 1981. Surpassing the Love of Men: Romantic Friendship and Love between Women, from the Renaissance to the Present.