By Shannon Jackson
‘a game-changer, a must-read for students, scholars and artists alike’ – Tom Finkelpearl At a time whilst paintings international critics and curators seriously debate the social, and whilst group organizers and civic activists are reconsidering the position of aesthetics in social reform, this publication makes specific the various contradictions and competing stakes of up to date experimental art-making. Social Works is an interdisciplinary method of the kinds, pursuits and histories of leading edge social perform in either modern functionality and visible paintings. Shannon Jackson makes use of a number case reports and modern methodologies to mediate among the fields of visible and function reports. the result's an excellent research that not just contains present political and aesthetic discourses but in addition presents a realistic realizing of social perform.
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Additional resources for Social Works: The Infrastructural Politics of Performance
Sample text
Early twentieth-century workers’ movements re-imagined the social role of art in heteronomous terms, whether in the appropriation of vernacular forms, the institution of social realism as a progressive aesthetic, the Brechtian Verfremdungseffekt, or the Constructivist re-imagining of the 31 PERFORMANCE, AESTHETICS, AND SUPPORT affinity between artistic labor and social labor. While we often remember these and other movements with a generalized vocabulary that celebrates art as socially-engaged, Social Works wants to remember the dimensions of this kind of work that induced infrastructural avowal, that is, that understood “heteronomy” as a socio-political but also as an aestheticformal openness to contingency, to experiments in not being privately self-governing.
François Ewald, a French policy analyst and critical philosopher, welcomed the language of flexibility in a continental France whose public services were in his mind out of control—evoking his tangled roots as a trained Foucaultian-turnedinsurance-entrepreneur to encourage skepticism toward state-based regulation. Meanwhile, Anthony Giddens had launched his book-a-year effort to remake social policy in Great Britain and the globe. ” His The Risk Society and subsequent books afterward underscored the degree to which the operations of flexibility necessarily invited the experience of risk, imagining social life and its choices as a gamble toward an unknown future.
There, as in North America and varieties of campuses and liberation movements in Chile, Argentina, Brazil, and more, an assemblage of counter-ideologies—anti-war discourse, sexual liberation discourse, mixtures of Marx, Mao, Foucault, Marcuse, and Freud—responded to an assemblage of institutions generalized as The Man—militaries, dictatorships, racist governments, campus presidents, parents. 11 That heterogeneity is only fitfully remembered as contemporary citizens (and artists) invoke the era to mobilize social engagement now.