Remaking the Movies: Digital Content and the Evolution of by OECD Organisation for Economic Co-operation and Develop

By OECD Organisation for Economic Co-operation and Develop

Movie and video items take a big number of types from modest education or promoting audio-visuals to blockbuster function movies that earn very quite a lot of cash from around the globe distribution. creation and distribution for any movie or video product contain an incredibly large choice of business pursuits usually with really various innovations. This research specializes in advertisement leisure items and construction and distribution of flicks and tv courses. It analyses the effect of electronic content material production, distribution and use on price chains and enterprise versions of the movie and video and explores the coverage implications of those adjustments to spot how electronic content material could have an effect on the functionality and place of contributors within the alongside the worth chain.Table of content material :SummaryChapter 1. Introduction-Aims of this Study-Economic value of the movie and Video Industries-Defining the movie and Video Industries-Current ChallengesChapter 2. Filme and Video construction and Markets in OECD Countries-Characteristics of the movie and Video Industry-Overview of movie and Video Markets in OECD Countries-Cinema Markets-Television Markets-Consumer Video Markets-Online Video MarketsChapter three. The Evolving constitution of the movie and Video Industry-Structural swap within the movie and Video Industry-Implications for electronic content material of constitution EvolutionChapter four. the price Chain for Filmed leisure Products-The price Chain for Filmed leisure Products-Differences within the worth Chain for various movie and Video ProductsChapter five. Technical swap and cost Chain Evolution-Full Digitalisation of the price Chain-Creating New electronic Distribution Markets for movie and Video Products-The expenses of electronic movie and Video ProductionChapter 6. electronic movie and Video content material and destiny worth Chain Evolution-The results of complete Digitalisation at the price Chain-Value Chain Evolution and Structure-Value Chain Evolution and advertisement Strategies-Value Chain Evolution and the commercial Viability of Filmed EntertainmentChapter 7. The coverage Framework-Innovation and Technology-Business and Regulatory Environment-Infrastructure-Buisiness Development-Conceptualisation, category, and Measurement-Policy ChallengesBibliographyOnline References mentioned and ConsultedAppendix A. North American Statistical Definition of the movie SectorAppendix B. The Indian movie

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2. Yearly production of cinema films in the US, the EU and Japan, 1995-2005 1000 800 767 735 600 758 686 637 626 669 683 669 715 727 611 605 543 746 761 593 611 798 699 US EU 25 Japan 400 289 278 278 200 249 270 282 281 293 287 310 356 0 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 Source: EOS (2005). 3. Feature film production and consumption clusters in the OECD Cluster Value share estimate* OECD countries in each cluster Export link sequence English language 45% Australia, Canada, Ireland, New Zealand, UK, US English language, World Asian 20% Japan, Korea Asian, English language, Western European, World Latin 15% Mexico, Portugal, Spain Latin, Western European, English language, World Western European 10% Austria, Benelux, France, Germany, Italy, Greece, Switzerland Western Europe, English language, Africa-Middle East, World Africa-Middle East 7% Turkey Western European, World Eastern European 2% Czech Republic, Hungary, Poland, Slovak Republic Eastern European, Western European, English language, World Nordic 1% Denmark, Finland, Iceland, Norway, Sweden Nordic, Western European, English language, World *Adapted from EAO (2005) and UNESCO (2005).

2 shows the distribution of this output by country or region of origin. REMAKING THE MOVIES: DIGITAL CONTENT AND THE EVOLUTION OF THE FILM AND VIDEO INDUSTRIES – ISBN 978-92-64-04329-9 – ©OECD 2008 32 – 2. 2. Motion picture unit output for 2005 in OECD countries (excluding Mexico, New Zealand and Turkey) and closely allied countries Country/region EU Films produced and/or released Remarks 798 Closest estimate of films produced US 699 Includes only films released Japan 356 Includes only films released Canada 183 Films produced and co-produced Korea 87 Includes only films released Australia 31 Films produced and co-produced Total 2 148 Note: The EU production figure includes EU members that are not OECD members, but their production is a very small proportion.

4, ticket prices have risen steadily every year since 1985 despite often wide fluctuations in box office receipts. 5, the overall trend in the major markets since 1995 has been for the number of screens to increase quite dramatically, currently standing at their highest historical level. Television markets The market for television programming is similar in many respects to the cinema film market but there are several special circumstances: • In most OECD countries there is still significant public ownership of television broadcasting.

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