By Raphaël Baroni, Françoise Revaz
This quantity, edited via Raphaël Baroni and Françoise Revaz, comprises contributions from probably the most influential students in narrative stories: Alain Boillat, Peter Hühn, Emma Kafalenos, Franco Passalacqua, James Phelan, Federico Pianzola, John Pier, Gerald Prince, Brian Richardson, Marie-Laure Ryan, Eyal Segal, and Michael Toolan. Essays diversity in concentration from musical narrativity and rhetorical narrative concept to comedian strips and re-examinations of classical and postclassical narratology. all the essays give a contribution clean understandings of foundational options within the box of narratology.
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Translated by Kathleen Blamey and David Pellauer. Chicago and London: Univ. of Chicago Press, 1984 (1983), 1985 (1984). Sternberg, Meir. Expositional Modes and Temporal Ordering in Fiction. Bloomington and Indianapolis: Indiana Univ. Press, 1978. ———. ” Narrative 9 (2001): 115–22. indb 35 10/11/15 11:19 AM 36 ∙ C HA P T E R T WO : JOH N PI E R ———. ” Poetics Today 31 (2010): 507–659. ———. ” Poetics Today 13 (1992): 463–541. ———. ” Poetics Today 24 (2003): 517–638. Vol. 2 of Qu’est-ce que le structuralisme?
This is because, functionally speaking, “the effect somehow finds or shapes or invents the cause” (“Telling in Time [II]” 529): within the teleological framework in which ends determine or explain means, suspense excites conjecture about “what still lies ahead”; curiosity triggers inferences about “gapped antecedents” in an attempt to “bridge” or “compose” them “in retrospect”; surprise “enforces a corrective reading in late re-cognition” (“How Narrativity” 117). Nevertheless, it is the case that out of the functionalist critique of narrative sequence there emerges a pattern of linkages that serves as an interface between the actional and the communicative.
Bloomington and Indianapolis: Indiana Univ. Press, 1978. ———. ” Narrative 9 (2001): 115–22. indb 35 10/11/15 11:19 AM 36 ∙ C HA P T E R T WO : JOH N PI E R ———. ” Poetics Today 31 (2010): 507–659. ———. ” Poetics Today 13 (1992): 463–541. ———. ” Poetics Today 24 (2003): 517–638. Vol. 2 of Qu’est-ce que le structuralisme? Paris: Seuil, 1973. Tomachevsky, Boris. “Thematics” (1925). In Russian Formalist Criticism: Four Essays, translated with an introduction by Lee T. Lemon and Marion J. Reis, 61–98.