Mental_Floss - July & August 2011 by Mental Floss

By Mental Floss

Show description

Read or Download Mental_Floss - July & August 2011 PDF

Best nonfiction_5 books

Social constructionism (2nd edition)

This available, but scholarly, textbook goals to introduce scholars to the world of social technological know-how concept and learn that has end up referred to as social constructionism. utilizing various examples from daily event and from current learn in components resembling character, sexuality and health and wellbeing, the elemental theoretical assumptions of social constructionism are essentially defined.

Fire Toxicity

Poisonous hearth effluents are chargeable for nearly all of hearth deaths, and an expanding huge majority of fireplace accidents, pushed by means of the common and lengthening use of artificial polymers. fireplace defense has all in favour of fighting ignition and decreasing flame unfold via decreasing the speed of warmth unlock, whereas neglecting the $64000 factor of fireplace toxicity.

Extra info for Mental_Floss - July & August 2011

Example text

La Nouvelle Revue Francaise (June). Artaud, Antonin. (1974) [1938]. The Theatre and Its Double. Collected Works, Vol. 4, London: Calder Publications. Breton, Andre. (1924). Surrealist Manifesto. htm, accessed January 2006. Breton, Andre. (1960) [1927]. Nadja, New York: Grove Press. Bunuel, Luis. (1984). My Last Breath. Trans. Abigail Israel. London: Vintage. Derrida, Jacques. (1976) [1967]. Of Grammatology. Baltimore, Maryland: The John Hopkins University Press. Foreman, Richard. (1985). Reverberation Machines: The Later Plays and Essays.

But there is a gap in the manifesto market that will surely be exploited in the future, since to date there have been no seminal manifestos on the conjunction of performance arts and digital media. This chapter may even provide an embryonic rehearsal towards its development: a fumbling early sermon prior to some future evangelical ejaculation about how the transformational capabilities of computers within theatrical contexts can relate to and extend philosophical theories, Artaudian and surrealist conceptions of art, and, most crucially of all, notions of truth.

16 Bodies Without Bodies Notes 1. This ‘more than’ differs between performance genres, and it actually serves as a measure of disciplinary identity. The dramatico-theatrical, for example, tends to work significantly in terms of faciality, foregrounded over time. 2. Hayles herself acknowledges this. References Bastick, T. (1985). Intuition: How We Think and Act, New York: John Wiley. Bergson, H. (1946). The Creative Mind. An Introduction to Metaphysics, trans. M. Andison, New York: The Philosophical Library.

Download PDF sample

Rated 4.67 of 5 – based on 28 votes