Jean Genet: Performance and Politics by C. Finburgh, C. Lavery, M. Shevtsova

By C. Finburgh, C. Lavery, M. Shevtsova

Jean Genet: functionality and Politics is the 1st e-book to discover the large political value of Genet's functionality perform through concentrating on his radical experiments, polemical topics and formal ideas in theater, movie and dance. Its new technique brings jointly the varied points of Genet's paintings via essays by way of overseas students and interviews with such key theater administrators as Richard Schechner, Terry arms, Cornerstone Theatre and Jean-Baptiste Sastre.

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Extra info for Jean Genet: Performance and Politics

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It is hoped that Genet’s position as a major driving force in the history of twentieth-century performance will finally be acknowledged, and that a forgotten European-based genealogy for theatre and performance studies will start to re-emerge. 1057/9780230595439 - Jean Genet: Performance and Politics, Edited by Clare Finburgh, Carl Lavery and Maria Shevtsova 15 that generated Genet’s plays, including decolonization, and refers to the problematical aspects of Lucien Goldmann’s sociological analysis.

She alone escapes the insults of the revolutionaries, and her clothes remain intact unlike those of the others, which are reduced to tatters by the rubble. And all this, because she is—excuse the expression—an out-of-work whore whose last job has just finished (her apparition as the Virgin of Lourdes in a sex fantasy) and whose next job has not yet started (her metamorphosis into Saint Theresa of the Infant Jesus in another sex fantasy). Because Carmen is out of work, hence not trapped inside the action of the play, her character has a more objective reality than that of the revolutionaries.

A. Bass (Ann Arbor, MI: University of Michigan Press, 1997), pp. 40–62. Dichy, A. ‘Jean Genet: Portrait of the Artist as Warrior’, in Flowers and Revolution: A Collection of Writings on Jean Genet, eds, B. Read and I. Birchall (London: Middlesex University Press, 1997), pp. 21–5. Dollimore, J. Sexual Dissidence: Augustine to Wilde, Freud to Foucault (Oxford: Oxford University Press, 1995). Durham, S. ). Genet: In the Language of the Enemy, Yale French Studies, 91 (1997). Eldridge, L. ‘Genet’s The Maids: Performativity in Performance’, Studies in Theatre and Performance, 25: 2 (2005), 99–113.

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