Is It Good for the Jews?: More Stories from the Old Country by Adam Biro, Catherine Tihanyi

By Adam Biro, Catherine Tihanyi

“Jewish stories,” writes Adam Biro, “resemble each people’s stories.” but while there's no higher approach to comprehend the soul, background, millennial pain, or, crucially, the fun of the Jewish humans than via such tales—“There’s nothing,” writes Biro, “more revelatory of the Jewish being.” With Is It sturdy for the Jews? Biro deals a sequel to his acclaimed selection of tales Jews on a teach. via twenty-nine tales—some new, a few outdated, yet all finely wrought and wealthy in humor—Biro spins tales of characters dealing with the vicissitudes and reverses of everyday life, whereas at the same time portray a poignant portrait of a global of unassimilated Jewish existence that has mostly been misplaced to the years. From rabbis competing to determine who's the main humble, to the daddy who makes use of suicide threats to strain his youngsters into traveling, to 3 males berated via the Almighty himself for enjoying poker, Biro populates his tales with memorable characters and absurd—yet familiar—situations, all comparable with a dry wit and spry prose variety redolent of the lengthy culture of Jewish storytelling. A assortment at the same time of foibles and fables, adversity and affection, Is It solid for the Jews? reminds us that if before everything used to be the observe, then we will without doubt be forgiven for looking forward to a punch line to keep on with this sort of days. 

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Extra resources for Is It Good for the Jews?: More Stories from the Old Country and the New

Example text

To see what? TV didn’t exist. They didn’t read. But for wealthy peasants and the provincial bourgeoisie, things were different. So they were wearing magnifying glasses, eyeglasses, ókuláré, as they said in Hungarian one hundred, or rather one hundred and fifty, years ago. Or again they were called pápaszem, pope’s eyes—popes were wearing glasses. Grün thus makes the rounds of the bicephalous empire, on foot, and at times by train. Sometimes a cart driver feels sorry for him and offers him the depths of his cart filled with warm hay.

I would like to talk about our friend Grün. (When I think of all the things that have happened to these two fellows, Kohn and Grün, these essential actors in the great Hungarian Jewish tragicomedy! And they are still enduring! ) Kohn bácsi, generic Uncle Kohn, Old Kohn—strangely, they never said Grün bácsi. They are going to be and are at times cowards, at times—though rarely—daring, at times believers, and at times—so few—miscreants, as well as stupid and brilliant, at times—most of the time—both honest and dishonest, faithful and unfaithful.

Suddenly, what do they see? An enormous piece of rock, detached from the mountain by the rain, blocking the path. The three rabbis fall silent, scratch their beards, smooth out their hair under their hats, mop their brows and the backs of their necks, clean their glasses, adjust their jackets, lightly wipe off dust from their pants, and then ask themselves what should they do? Return to the village to ask for help? They are worried about ridicule. Try to go around the rock? On one side of the path, there is a cliff, a mortal danger.

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