Future Music (June 2016)

Assessment: destiny song brings you the main in-depth information and studies from revered pros. We'll additionally offer you all of the recommendation you must get the main out of your present set-up, and interviews with musicians on the state of the art of technology.

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It features three oscillators – each switchable between six waveforms – plus a noise oscillator. These oscillators faithfully exhibit the slight tuning imperfections of the original synth. > Monark’s Moog-emulating magic happens at the filter stage, which uses advanced zero-feedback technology to meticulously replicate the nuance of the original four-pole ladder design. Turn up the Load dial to overdrive the oscillators, imparting a signature Moog beef. > The Feedback parameter serves to emulate the classic Minimoog trick of feeding the headphone output back into the input.

The latter are used to modulate the frequency of the former, thereby creating complex and tonally rich results. The manner in which the two categories of operator interact is governed by a range of algorithms. Wavetable on the other hand, draws upon a memory bank of sampled waveforms. The synthesizer will scan through the waveforms – a process that can be governed by factors such as velocity or an envelope shaper – to create complex, evolving sounds. Granular synthesis is also based around samples but, instead of playing back full samples, here the sounds are broken down into minuscule ‘granules’ of just a few milliseconds in length.

But the low-end on the P6 is also solid for a poly so it can be a bass monster too, especially when layering the two VCOs with the triangle sub oscillator for more depth. Perhaps the least talked about (but one of the most important) features of the Prophet 6 (and the later Prophets including the 08 and 12) is the ‘Pan Spread’ function. This is the key (along with the new effects section) to super-wide sounds and it basically moves/pans the voices out from the centre the more the dial is turned, alternately panning them left and right across the stereo spectrum/ field to add movement and interest to your sounds.

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