Feminist Interpretations of Theodor Adorno (Re-Reading the by Renée J. Heberle

By Renée J. Heberle

Adorno is frequently passed over of the 'canon' of affects on modern feminist thought, yet those essays convey that his paintings supplies precious fabric for feminist pondering quite a lot of matters. Theodor Adorno used to be a number one pupil of the Institute for Social study in Frankfurt, Germany, another way referred to as the Frankfurt university. With Max Horkheimer he contributed to the improvement of severe theorizing approximately Enlightenment philosophy and modernity. Inflected via Kant, Marx, Nietzsche, and Freud, Adorno's pondering defies effortless categorization. Ranging around the disciplines of philosophy, musicology, and sociology, his paintings has had an effect in lots of fields. His 'Dialectic of Enlightenment' (written with Max Horkheimer) used to be profoundly influential as a critique of fascistic and authoritarian impulses in Enlightenment considering within the context of past due capitalism. Questions addressed within the quantity variety from dilemmas in feminist aesthetic conception to the politics of pain and democratic concept. The essays are exemplary as works in interdisciplinary scholarship, protecting a variety of concerns and ideas in feminism as authors seriously interpret the numerous points of Adorno's paintings. They take Adorno's old situatedness as a pupil under consideration whereas exploring the relevance of his principles for post-Enlightenment feminist conception. His philosophical and cultural investigations encourage reconsideration of Enlightenment ideas in addition to a rethinking of 'postmodern' rules approximately identification and the self. Feminist Interpretations of Theodor Adorno will introduce feminists to Adorno's paintings and Adorno students to modes of feminist critique. it will likely be in particular worthwhile for senior undergraduate and graduate classes in modern political, social, and cultural thought.

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Its solidarity does indeed risk exclusion if it is based on an ethical ideal, and yet at the same time we need to risk solidarity through ideals as a way in which to pull ourselves together in order to struggle for a better world. There are dangerous aspects in that struggle, but the dangers and the awareness of them does not release us from our responsibility; a word that Adorno seems to replace with consciousness. My point was that we must risk those dangers precisely because of the power of ideals.

Adorno forces us to questions whether those who dye their hair really chose to do so, or on the other hand whether we have been eaten up by the distorted desire to maintain the youthful image necessary for, as we so often read, dating after fifty. Adorno goes beyond the critique that our preferences are shaped, to make the much stronger point that it is we who are pounded into a being and as a result have lost the ability to distance ourselves from the bombardment of images that promotes the endless push to consume more and different products.

He was intensely involved in educational reforms in Germany in the postwar era. In short, there are many aspects of Adorno as a public intellectual that have yet to be explored. 15. For recent readers, edited collections, and single-author works on Adorno, see the Selected Bibliography in the present volume. 16. Theodor Adorno, Notes to Literature, vol. 1 (New York: Columbia University Press, 1991), 227. 15857$ $CH1 05-09-06 11:58:29 PS PAGE 20 2 An Interview with Drucilla Cornell Questions by Rene´e Heberle RH: Your intellectual trajectory has moved across dialectical and psychoanalytic theory into, more recently, thinking defined in relation to arguments associated with neo-Kantian liberalism.

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