By Kelli Jae Baeli
In the course of storm Katrina, Patriarch Dominic Fontaine meets his freakish demise—the rubble of his “hurricane-proof” mansion throughout him—and not anyone suspects vengeful girl got here to kill him.
Real property Agent, Sienna Bachman, learns that karma can are available flavors, yet fears that even if she has, 'til now, been a moral person, she may well flavor in basic terms one.
The darkish, good-looking artist, Jerrin Beaudreaux, Dominic Fontaine's estranged son, needs to care for the threat of his father's demise, loathing him an increasing number of as his prior betrayal is compounded through nonetheless extra relations secrets.
Established agoraphobe, Cherise Fontaine, by no means understood her brother's hatred for his or her father, yet she wishes him greater than ever, now that Dominic won't be round to coax her out of her shell.
As Bay St. Louis sits in flooded, flattened damage, 16 12 months previous Noah is stranded in Jackson in the course of a gig along with his band, expecting his alcoholic mom to affix him as Katrina bears down at the coast. She by no means appears to be like. eager to locate her, he has no assets left to him other than the notorious Envelope. eventually, he needs to open it, in keeping with his mother's guideline, in an effort to locate support from a stranger.
A petty thief named Kitcher is ignorant of the position he performs in linking those humans together.
In the aftermath of the worst typhoon in American heritage, the secrets and techniques held in a secure deposit field spur the Fontaine offspring right into a trip of enlightenment and self-discovery as their lives converge with strangers, and the mysteries of karma, desire, and synchronicity take over.
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Il l'a emmenée dans l'automobile noire. C'est à Cholen. C'est à l'opposé des boulevards 46 qui relient la ville chinoise au centre de Saigon, ces grandes voies à l'américaine silonnées par les tramways, les pousse-pousse, les cars. C'est tôt dans l'après-midi. Elle a échappé à la promenade obli gatoire des jeunes filles du pensionnat. C'est un compartiment au sud de la ville. L'en droit est moderne, meublé à la va-vite dirait-on, avec des meubles de principe modern style. Il dit je n'ai pas choisi les meubles .
Il est celui qui passait le Mékong ce jour-là en direction de Saigon. - Elle entre dans l'auto noire. La portière se re ferme. Une détresse à peine ressentie se produit tout à coup, une fatigue, la lumière sur le fleuve qui se ternit, mais à peine. Une surdité très légère aussi, un brouillard, partout. Je ne ferai plus jamais le voyage en car pour indigènes . Dorénavant , j'aurai une limousine pour aller au lycée et me ramener à la pens ion . Je dtnerai dans les endroits les plus élégants de la ville.
C'est aussi là, à quelques jours de la mort de son mari, en pleine nuit àussi, que ma mère s'est trouvée face à l'image de son père, de son père à elle. Elle allume. Il est là. Il se tient près de la table, debout, dans le grand salon octogonal du palais . Il la re garde. Je me souviens d 'un hurlement, d'un appel. Elle nous a réveillés, elle nous a raconté l 'histoire, comment il était habillé, dans son costume du dimanche, gris, comment il se tenait, et son regard, droit sur elle. Elle dit je l'ai appelé comme quand j 'étais petite.